I’m at the airport about to take off for Telluride, Colorado. Going to get some much needed R&R with family and friends. I’ll try and update from there but if I’m not able to, have a wonderful Fourth of July (my favorite holiday!!) and I’ll see you all in a week!

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“A face holds the key to the universes that intersect behind the eyes. The wrinkles, the eyes, the hints of hidden scars revealed in a portrait enable us to sense the soul, the character, the acceptances and the denials of the person as no other medium can. The snapshot smile conceals. The thoughtful portrait reveals and stirs. The faces of our aging survivors are uniquely those of…survivors. Portraiture enables the viewer to partly grasp, even as it immortalizes, a story that should never be forgotten.” – an excerpt from Eli Rubel’s Discovering Hope Project Proposal.
As a photographer, it is imperative to be passionate about one’s subject. I feel it is truly difficult to take a great portrait without really having a connection. Whether it’s a friend, a political figure or a celebrity, we all relate and connect to certain persons differently. And that is what makes a photographer’s individual style and ‘eye’ really define their work. Think of Marilyn Monroe; a face photographed a million times over; recognized by all. But somehow with each sitting, even though she would put on the same show, each photographer captured her in a slightly different way: they each had a different connection.

But what about those people we don’t know? What about the faces no one recognizes? How do we as photographers relate to them? What is our connection? And how do we translate that into a portrait?

Eli Rubel, a young and talented photographer based in Los Angeles, found his subject through personal heritage. As a descendant of European Jews, he identified himself early on with a group of individuals that are slowly being forgotten. When we think of the Holocaust today, we usually think of it in its entirety; rarely breaking it down to the individuals that were victimized. As part of a generation almost twice removed now from the horror of the Holocaust, Rubel was determined to get a clearer understanding of the effects and forever archive the frail remains of such a catastrophic event through the lens of his camera. And thus, the Discovering Hope Project was conceived.

And he certainly doesn’t take the subject lightly. Shooting this project on black and white 8×10 film, Rubel has traveled great lengths all across the country to find and document these ‘survivors,’ taking the time to listen to their stories and piece together a visual version of history never seen before. Relentless and driven, he has gained the respect and financial sponsorship from numerous photographic organizations, not to mention a solo show at the Los Angeles Museum of the Holocaust in 2010.

Rubel’s images are frank. A certain Avedon quality is present within them, but that in no way discounts his own personal photographic style. The images are simple and sharp. Some are off-beat moments that capture the subject in mid-thought, traveling back in time and reliving the horror all over again. Some are just empty stares that visually denote the life that had been sucked out of them so very long ago, leaving behind a delicate shell of involuntary sacrifice. While others indicate strength and the resilience to rise above. Through Rubel’s striking portraits we are an audience to this. We suddenly relate, identifying theirs with our own personal suffering, not that many of us could ever measure up.

This collection (or ‘archive’ as Rubel calls it) is truly a visual reminder of our history. History some of us choose to forget or — for those who are so far removed — don’t even know how to remember. It is a collection that will preserve a group that is slowly, one by one, fading away. A group of individuals who’s story needs to be heard. A group of faces that should be seen and recognized as heros and survivors. This collection gives that group a face and a voice. And it’s about time we take a moment, open our eyes, and listen.

Eli Rubel’s Discovering Hope project can be found at http://www.discoveringhopeproject.com/

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Free People clothing has been my obsession for a long time now. We The Free has sucked up about 99% of all my earnings in the past few months. It is a dangerous store. But on top of liking the clothes, I absolutely love the feel of the website. It makes me think of journaling and collage art. Hmmm…need to use this as inspiration and get back into it.

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“Of course, there will always be those who look only at technique, who ask ‘how,’ while others of a more curious nature will ask ‘why.’ Personally, I have always preferred inspiration to information.”

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So my CS4 came in the mail today. I feel like a kid on Christmas. I have to clear some space on my laptop for it; it takes about 7gb of space!! I have been watching a bunch of video tutorials this week to prepare myself for all of the awesome new features. I can’t wait to roll up my sleeves and really start playing.

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Speachless

in Personal



I feel so weird right now. I feel as if I have lost a childhood friend. Is that bizarre? I used to go over to my aunt’s house and lip sync to Thriller when I was just five years old. I would declare that Michael Jackson and I were going to get married. I used to think the lyrics to Billie Jean were “the chair is not my son.” MJ has been a part of my life since day one. I remember when we got Thriller on vinyl. God I think that was when I fell in love with music. Just like everyone else, MJ’s music has timelessly stayed with me throughout my life. I remember being in a tiny shop in London with Jen and Jill back in 2003. I think we were shoe shopping. Speachless came on the radio. For some reason we thought it said “Pizza land,” (I think we were hungry at the time). For some reason I always love hearing that song now; it takes me back to London every time. I don’t really know how to react right now. I feel so foolish feeling this way about someone I never met but in a strange way I feel like I’ve known him all my life. Of course, he changed. He became a different person. It’s been a long time since we’ve seen this man pictured above. But that is how I will always remember him: young, bronzed skin, suit and bow tie, a terrific dancer, and of course that voice…Today is truly a crazy day. I will forever remember him.

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A friend sent this link to me because she knows my love of weddings and practically anything with a Southern feel to it. Josh Goleman captured the beauty and distinction of this wedding so well, but as I learned from the couple’s website, there was quite a team of creatives that contributed to this special day. All in all I think it was fantastic and even better so well documented. Nothing beats a black and white 4×5 family portrait sitting on a truck! All of the details were so perfectly paired together. Truly a magical event. Love. It. All. (click the balloons to see the full photo story).

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FINALLY got my hammock up today! Can’t wait make a big glass of iced tea, grab a good book and get lost for hours under the big oak tree. This is what summer is all about!

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“For me, to work with a model is to find a connection, to develop a mode of communication & to create a relationship, in order to draw what is within her out to the surface.”

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Marco Walker is one of those photographers who’s photographic style just makes sense. Not as in the photographs are an easy read, because trust me, there is much depth to them, but in the sense that his style is unmistakable; a quality many photographers lack these days.

I met Marco during our first term at Art Center. He was very much into landscapes and night shots with a very static appeal. As we progressed in our studies, his style started to emerge. I remember in our color processing class he showed up with the most beautiful cross processed images he had taken in the mountains. He had found his ‘look’ and ran with it.

Marco’s imagery is raw and dirty, not in subject matter but in the feeling expressed through it’s color and grain. But there is a softness to them as well; a sort of ‘innocence lost’ undertone. His subjects are real and his lighting is never forced but rather equally soft and harsh, just like the pattern of the sun. He tells pieces of stories with his images, never too much information, just little samples; enough to wet the palette. As well as being an incredible image maker, Marco is a pleasure to work with, very soft-spoken and polite. He better be; he’s British. But don’t be fooled; when behind the camera he becomes quite the bad ass. Check his work out here: www.marcowalker.com

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